{"id":117,"date":"2011-11-15T23:53:04","date_gmt":"2011-11-15T22:53:04","guid":{"rendered":"http:\/\/wettstein.ws.chopin.ch-meta.net\/?page_id=117"},"modified":"2026-04-12T17:39:09","modified_gmt":"2026-04-12T15:39:09","slug":"about","status":"publish","type":"page","link":"https:\/\/wettstein.ws\/de\/about\/","title":{"rendered":"Impressum &amp; Kontakt"},"content":{"rendered":"<p>Atelier&#8217;s Robert Wettstein<br>Josefstrasse 188, 8005 Z\u00fcrich, Switzerland<br>E-mail: <a href=\"mailto:robert.wettstein@gmx.ch\">robert(at)wettstein.ws<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-thumbnail\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"100\" src=\"https:\/\/wettstein.ws\/wp-content\/uploads\/AteliersRobertWettstein_7_RobertWettstein-1-150x100.jpg\" alt=\"\" class=\"wp-image-3817\" srcset=\"https:\/\/wettstein.ws\/wp-content\/uploads\/AteliersRobertWettstein_7_RobertWettstein-1-150x100.jpg 150w, https:\/\/wettstein.ws\/wp-content\/uploads\/AteliersRobertWettstein_7_RobertWettstein-1-660x440.jpg 660w, https:\/\/wettstein.ws\/wp-content\/uploads\/AteliersRobertWettstein_7_RobertWettstein-1-1024x682.jpg 1024w, https:\/\/wettstein.ws\/wp-content\/uploads\/AteliersRobertWettstein_7_RobertWettstein-1-768x512.jpg 768w, https:\/\/wettstein.ws\/wp-content\/uploads\/AteliersRobertWettstein_7_RobertWettstein-1-1536x1023.jpg 1536w, https:\/\/wettstein.ws\/wp-content\/uploads\/AteliersRobertWettstein_7_RobertWettstein-1-2048x1364.jpg 2048w, https:\/\/wettstein.ws\/wp-content\/uploads\/AteliersRobertWettstein_7_RobertWettstein-1-570x380.jpg 570w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-large-font-size\">Biography Robert Wettstein<\/p>\n\n\n\n<p>Sometimes I also call myself Robert<strong> A. <\/strong>Wettstein or Robert <strong>Adrian<\/strong> Wettstein to avoid confusion with other Wettstein&#8217;s.<\/p>\n\n\n\n<p>I live and work in Zurich, Switzerland. My studio is in the centre of the city, near a green park. I work in the fields of product design, lighting design and furniture. My work therefore relates to space and includes many artistic techniques such as photography and painting. I work as a lecturer and mentor at the Zurich University of the Arts. My mother tongue is Swiss German.<br>I have chosen a very manual profession. The profession of orthopaedic technician is based in the medical sector and produces aids that are often individually customised and made to measure. This knowledge can therefore also be transferred to everyday objects and used for the manufacture of chairs or objects. The first chair models were made from found structural steel as early as 1985. I already had my first contacts with Rainer Krause and his company Anthologie Quartett at that time.<br>This hobby turned into a passion that continues to this day. I am also still interested in sustainable materials today. Fortunately, I was able to pursue both in parallel in my business. <\/p>\n\n\n\n<p>As a collector I run a small mono thematic museum about the legendary Landi chair at the same location. <a href=\"https:\/\/landistuhlmuseum.wettstein.ws\/\">Landistuhlmuseum Zurich<\/a> a visit is possible by appointment.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Founder Landistuhlmuseum (LASMU) Zurich.<\/li>\n\n\n\n<li>Member of the Board:Netzwerk Design Geschichte, Zurich.<\/li>\n\n\n\n<li>2024 foundation of the independent designers group CRAFT iD, Z\u00fcrich.<\/li>\n\n\n\n<li>Member of the Board: Design Biennale, Zurich. (Discontinued in 2025)<\/li>\n<\/ul>\n\n\n\n<p>This site contains Robert Wettstein\u2019s design and art portfolio. It features self-initiated projects and commercial projects.&nbsp;<\/p>\n\n\n\n<p class=\"has-large-font-size\">Robert A. Wettstein, born Zurich, 1960<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Trained in orthopaedic technology. <\/li>\n\n\n\n<li>Master of Advanced Studies (MAS) Design,Art &amp; Inovation, 2009, Basel FHNW.<\/li>\n\n\n\n<li>Certificate of Advanced Studies (CAS), &#8220;Material and art techniques&#8221; 2018, Z\u00fcrich ZHdK \/ SIK (Schweizerische Institut f\u00fcr Kunstwissenschaft)<\/li>\n\n\n\n<li>Own practice and workshop since 1985. Structure Design established 1986.<\/li>\n\n\n\n<li>&#8220;Atelier&#8217;s Robert Wettstein&#8221; and &#8220;Structure Design&#8221; are his own trademarks.<\/li>\n\n\n\n<li>2002 &#8211; 2025 lecturer for ideation \/ design thinking at Zurich University of the Arts, ZHdK Industrial Design.<\/li>\n\n\n\n<li>Lecturer at CAS Atmospheric Design, ZHdK. Lecturer at <span class=\"color_12\">Interior Design Development Programme IKEA<\/span> &amp; ZHdK and Mentor Fachrichtung Trends &amp; Identity, ZHdK.<\/li>\n\n\n\n<li>2024, Lecturer in design history and sustainability at the Haus der Farbe, Zurich.<\/li>\n<\/ul>\n\n\n\n<p><strong>Publication of Robert Wettstein:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#8220;Gef\u00fchltes Design&#8221; (2009) the ideation method of &#8220;fact finding&#8221; is described in detail.<\/li>\n\n\n\n<li>&#8220;Der Landistuhl im Detail&#8221; an analysis of the iconic Landi chair. <\/li>\n<\/ul>\n\n\n\n<p class=\"has-large-font-size\">Selection of exhibitions and events:<\/p>\n\n\n\n<p>2026:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201cWhispering Sediments&#8221; Official contribution to \u201cUrban Waters\u201d by the Zurich University of the Arts \/ ZHdK. Z\u00fcrich.<\/li>\n\n\n\n<li>Cooperation and exhibition at the workshop of the renowned Zurich antique cabinetmaker Massimo Biondi.<\/li>\n<\/ul>\n\n\n\n<p>2025:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Goldrausch No3, Art Salon, Z\u00fcrich, Group show &#8220;Wirtschaft zum Wachstum\u201c , curated by Daniela Hediger.<\/li>\n\n\n\n<li>&#8220;Transform\u201c&nbsp;Neues Deutsches M\u00f6beldesign der 80iger Jahre. Art space Augsburg,&nbsp;Germany, curated by Gerold Sauter.<\/li>\n\n\n\n<li>Aquascopen, Landmark at Museum f\u00fcr Gestaltung Z\u00fcrich during Zurich Design Weeks Zurich.<\/li>\n\n\n\n<li>Galerie Enthusiastic Approval, Z\u00fcrich. Gallery exhibition: Understatement in the Underground. <\/li>\n\n\n\n<li>Atelier&#8217; Robert Wettstein. &#8220;In good companie&#8221; Zurich Design Weeks.<\/li>\n<\/ul>\n\n\n\n<p>2024: <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2024: Group exhibition \u2018Home Sweet Home &#8211; Bird House Exhibition\u2019 curated by Connie H\u00fcsser (Objects with Love) at the Vitra Haus in Weil am Rhein, Germany.<\/li>\n\n\n\n<li>Galerie Romain Morandi, Paris &#8220;Breaking the wall : le design d\u2019avant-garde allemand des ann\u00e9es 80&#8221;. <\/li>\n\n\n\n<li>Exhibition PAPIER at Atelier Zurich, Retrospective of thirty years of papier furniture. Reappraisal of personal design history.<\/li>\n\n\n\n<li>Foundation of the independent designers group Craft iD with exhibition at Headsquarter Z\u00fcrich. The independent group consists of Natascha Madeiski, Rene Odermatt &amp; Robert Wettstein.<\/li>\n\n\n\n<li>Galerie Rudolf Rock, &#8220;Bicolor&#8221;, Z\u00fcrich. Grop show. Replicas of classic chairs made from used red and white construction site wood.<\/li>\n<\/ul>\n\n\n\n<p>2023:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2023: Participants of the curated group exhibition &#8220;Perfectly Imperfect\u201d Gewerbemuseum, Winterthur, Switzerland. <\/li>\n\n\n\n<li>Curated group exhibition durin Zurich Design Weeks 23 &#8220;The office&#8221;, Z\u00fcrich. <\/li>\n\n\n\n<li>Studio exhibition \u2018NOT AS FOUND\u2019 at Atelier Z\u00fcrich durin Zurich Design Weeks  Presentation of new works based on found objects.<\/li>\n<\/ul>\n\n\n\n<p>2022:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2022: \u201cDesign without borders\u201d group show at Kiscell Museum Budapest. Curated by Szilvia Szigeti.<\/li>\n\n\n\n<li>Part of the group show &#8220;RAW SENSES&#8221; at Z\u00fcrich Design Weeks. Curated by Heinz Caflisch, Fabio Hendry.<\/li>\n\n\n\n<li>&#8220;Design Galerie im Museum&#8221; group show at Gewerbemuseum Winterthur. Curated by Mario Pelini.<\/li>\n\n\n\n<li>Second Nature Galery, COUNTER VIEWS group show, St. Moritz. <\/li>\n\n\n\n<li>Exhibition &#8220;Paper on Skin&#8221; Tasmania, Australia. <\/li>\n\n\n\n<li>Video &#8220;Paper on Skin&#8221; Tasmania, Australia. Vimeo: <a href=\"https:\/\/vimeo.com\/774058476\" target=\"_blank\" rel=\"noreferrer noopener\">Video Gala 2022<\/a><\/li>\n\n\n\n<li>SALA VIAGGIATORI, Grop show. Curated by Luciano Fasciati \/ Heinz Caflisch.<\/li>\n<\/ul>\n\n\n\n<p>2021:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2021: \u201eInspired by Switzerland\u201c Participation with a wooden cutlery at Decorative Art Museum Moscow, curated by Gabriela Chicherio.<\/li>\n\n\n\n<li>May 2021, a 30 year old pilot chair is one of the first vintage chairs minted as NFT.<\/li>\n<\/ul>\n\n\n\n<p>2020:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2020: Vienna Design Week in cooperation with OKRO &amp; Pro Helvetia.<\/li>\n\n\n\n<li>DESIGN DAYS LAUSANNE, \u201eInspired by Switzerland\u201c at Viceversa Galerie curated by Gabriela Chicherio.<\/li>\n<\/ul>\n\n\n\n<p>2019:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2019: \u201eRebellische Pracht &#8211; Design-Punk statt Bauhaus\u201c Museum Marta Herford. Cooperation with the Staatliche Kunstsammlungen Dresden &#8211; Archiv der Avantgarden.<\/li>\n\n\n\n<li>OKRO Gallery, Chur. Part of the group show &#8220;Lieblinge&#8221;<\/li>\n<\/ul>\n\n\n\n<p>2018:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2018: &#8220;Kunst: Szene Z\u00fcrich 2018&#8221; Artspace Shedhalle, Rote Fabrik. Project Semaphore Help. The word HELP is shown as a semaphore in lamp form. Like the BEATLES showed it on the cover.<\/li>\n\n\n\n<li>Armory Artweek, New York at Artbox Project. Participation with: Cloud lamp.<\/li>\n<\/ul>\n\n\n\n<p>2017:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2017: Kunst(Zeug)Haus, Rapperswil. &#8220;Cottidiana-Perspektiven des Allt\u00e4glichen&#8221;. Participation with: Pilot Chair.&#8221;<\/li>\n\n\n\n<li>20 YEARS SALONESATELLITE. Planets and Stars of new creativity&#8221; at Fabbrica del Vapore Milan from April 4th 2017. * Participation with: Bastian Easychair.<\/li>\n<\/ul>\n\n\n\n<p>2016:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#8220;Venice Design 2016* Palazzo Michiel, Global Art Affairs Foundation. Participation with: Summerfiber Easy Chair.<\/li>\n<\/ul>\n\n\n\n<p>2012:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2012: Take a Seat. Espresso, \u201cZ am Park\u201d Caffe Zurich. Red Bull, Campari Soda and Red Wine Chair, Curated by Fabrice Aeberhard and Christian K\u00e4gi. With Auction.<\/li>\n<\/ul>\n\n\n\n<p>2013:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2013: Artgen\u00e8ve 13, Salon international d\u2019art, Geneva at Galerie Lullin+Ferrari.<\/li>\n\n\n\n<li>\u201eTHIS IS THE HOUSE THAT JACK BUILT\u201c at Helmrinderknecht contemporary design gallery. Curated by Martin Rinderknecht.<\/li>\n\n\n\n<li>Designers Design at \u201eNeue R\u00e4ume 13\u201c Curated by Stefan Zwicky Architekt SIA\/BSA.<\/li>\n<\/ul>\n\n\n\n<p>2011:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2011: \u201cM\u00f6bliert\u201d Solo Show at Galerie am Hirschengraben. <\/li>\n\n\n\n<li>Catch of the Year 3, at Artspace Dienstgeb\u00e4ude, Z\u00fcrich. Curated by Andreas Marti.<\/li>\n<\/ul>\n\n\n\n<p>2010:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2010 &nbsp;\u201eL\u2019eco delle Vanit\u00e0\u201c Plusdesign Gallery Milan, Italy,<\/li>\n\n\n\n<li>&#8220;13,798 grams of design\u201c curated by Maria Cristina Didero e Susanna Legrenzi * Lambrate Artproject Millan, Italy;<\/li>\n\n\n\n<li>\u201eSostenibilita a tutto Vapore\u201c at Fabbrica del Vapore Milan, Italy curated by Ottagono Magazine*; <\/li>\n\n\n\n<li>Catch of the Year 2, Dienstgeb\u00e4ude, Artspace Z\u00fcrich. Curated by Andreas Marti.<\/li>\n<\/ul>\n\n\n\n<p>2009:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2009: \u201eSpringline\u201c Plusdesign Gallery Milan, Italy; <\/li>\n\n\n\n<li>Kunstzeughaus Rapperswil, Switzerland. Peter und Elisabeth Bosshard Collection.<\/li>\n\n\n\n<li>\u201eShaping the New Century\u201c European Design Since 1985, Indianapolis Museum of Art Indianapolis, USA*. Curated by Craig Miller.<\/li>\n<\/ul>\n\n\n\n<p>2006:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2006: Art Basel Furniture Partner Gallery Massimo DeCarlo Milano. <\/li>\n\n\n\n<li>Interieur 2006 Kortrijke Belgium \u201eGuest of the Guest\u201c at the Alfredo H\u00e4berli\u2019s solo exhibition;<\/li>\n\n\n\n<li>Interieur 2006 Design for Europe,Kortrijke Belgium.<\/li>\n<\/ul>\n\n\n\n<p>2005: <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pilot white chair, with encapsulated smell of clean underwear designed by Sissel Tolaas. Idea and concept Franziska Kessler. Presented at the Art Basel fair, 2005, Galerie Mark M\u00fcller, Zurich. Paper \u201ePhoenixmotion\u201c by Scheufelen<\/li>\n\n\n\n<li>Parfum \u201eclean underware\u201c Sissel Tolaas by IFF re_searchLab Berlin<\/li>\n<\/ul>\n\n\n\n<p>2004:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2004: Design Miami\/Basel Galerie Peter C Neumann; <\/li>\n\n\n\n<li>\u201eAvverati, a dream come True\u201c curated by Beppe Finessi,&nbsp;Cosmit Milan, Italy*<\/li>\n\n\n\n<li>\u201eCris Cros\u201c Swiss Design Gewerbemuseum Winterthur, Switzerland. Curated by K\u00f6bi Gantenbein \/ Ariana Pradal \/ Roland Eberle.<\/li>\n\n\n\n<li>\u201eDesign-Ikonen des 20. Jahrhunderts\u201c Sottsas und die Folgen\u2026Kunstkreis Hameln, Germany. Grop show.<\/li>\n\n\n\n<li>\u201eBeutelbau\u201c Backsteinprojekt L\u00fcneburg: public space project , L\u00fcneburg, Germany.<\/li>\n<\/ul>\n\n\n\n<p>2003:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2003: \u201eDeutschlandreise international\u201c K\u00f6ln, Germany; <\/li>\n\n\n\n<li>\u201eWelness-Design\u201c Vitra-Workshop Domaine de Boisbuchet, France. <\/li>\n\n\n\n<li>\u201eSwiss Design \u2013 traditionaly progresive\u201c at Totem Gallery, New York, USA;&nbsp; \u201eSwiss Design \u2013 traditionaly progresive\u201c 5. Biennale for Architekture Sao Paolo, Brazil. Organizer: Swiss Peaks Festival \/ Presence Switzerland. Curators: K\u00f6bi Gantenbein, Ariana Pradal, Peter Vetter, Roland Eberle<\/li>\n<\/ul>\n\n\n\n<p>2001<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2001: \u201eDownload Remix\u201c by Alfredo H\u00e4berli*, Ambiente Frankfurt a.M. Germany<\/li>\n\n\n\n<li>\u201eTransparente\u201c Salonesatellite Milano, Italy; <\/li>\n\n\n\n<li>Galerie \u201eEinzigart\u201c Z\u00fcrich. Single exhibition; <\/li>\n\n\n\n<li>\u201ePuls\u201c selected Swiss Designers at \u201eneue R\u00e4ume 01\u201c<\/li>\n<\/ul>\n\n\n\n<p>2000:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2000 \u201eEuropalette\u201c Swiss Center Milan, Italy; <\/li>\n\n\n\n<li>\u201echange.to\/comfort\u201c Salonesatellite Milano, <\/li>\n\n\n\n<li>Projekt; \u201eDesign for Europe\u201c Biennale Interieur 2000 Kortrijk, Belgium*.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1999: \u201eBlack Schwarz\u201c Musee des Arts Decoratifs, Lausanne, Switzerland.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1998: \u201eDer Hang zum Mini\u201c miniature Furniture edition Mus\u2018ign Bad Essen,&nbsp;Germany; <\/li>\n\n\n\n<li>K\u00f6ln, Hallmackenreuter &#8220;Design Passagen&#8221;<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1997: \u201eDea\u201c Design Europeo Anteprima, Groop show, Spazo Zeus Milan, Italy*.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1996: \u201eDesign im Wandel\u201c curated by Alessandro Mendini, Ueberseemuseum Bremen,&nbsp;Germany *<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1995: \u201eKindsize\u201c Furniture for children. Exhibition of Messe Frankfurt,  Curated by Rainer Krause, Germany,*<\/li>\n\n\n\n<li>Kunstszene 95\/96 Z\u00fcrich. Inventar 1 &amp; 2.*<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1994&nbsp; \u201ePolsterm\u00f6bel und Schaukelleuchten\u201c Mus\u2019ign, Design Museum* Single exhibition, Bad Essen, Germany.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1993:&nbsp; \u201eThe minimal animal interior\u201c&nbsp; Galerie Dilmos Milano, Italy. Single exhibition. Robert transformed the entire basement of the gallery into a world of paper.<\/li>\n\n\n\n<li>\u201eDesign Preis Schweiz\u201c Kunstmuseum Solothurn, Switzerland.*<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1992: \u201eTransm\u00f6bel 5\u201c FS Coaches at Porta Genova, Milan, Italy. The curator Ernst Hunzinger has rented empty freight wagons at the Porta Genova train station and invited designers from Germany, Austria and Switzerland to show their current work. Second edition<\/li>\n\n\n\n<li>\u201eKreaturen\u201c Galerie Papenheim Zurich,Switzerland, Single exhibition.&nbsp; <\/li>\n\n\n\n<li>\u201eDesign in Europa\u201c Kunst und Museumskreis Bad Essen, Germany.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1991: \u201eNomadi\u201c Grop show. FS Coaches at Porta Genova, Milan, Italy. The curator Ernst Hunzinger has rented empty freight wagons at the Porta Genova train station and invited designers from Germany, Austria and Switzerland to show their current work. First edition.<\/li>\n\n\n\n<li>\u201eMehrwerte &#8211; Schweiz und Design: die 80er\u201c Museum f\u00fcr Gestaltung Z\u00fcrich, Switzerland. Curated by Alois Martin M\u00fcller.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1990:&nbsp; \u201eGeordnete Arbeiten\u201c Galerie Hiltrud Jordan K\u00f6ln,Germany. Single exhibition. <\/li>\n\n\n\n<li>\u201eOggetti Inattesi\u201c Studio Scalise, Neapel. Italy. Single exhibition.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1988: \u201eCaf\u00e9 Diesel\u201c Installation at Area Ansaldo Milan, Italy. DEA Anteprima Europeo Design. Initiated by Zeus: Nicoletta Baucia, Maurizio Peregalli. Together with, Neotu, France; One Off, England; Disform, Spain and Anthologie Quartett, Germany.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1986:&nbsp; \u201eWohnen von Sinnen\u201c Kunstmuseum D\u00fcsseldorf, Germany*;  Curated by Wolfgang Scheper, Claudia Schneider Esleben.<\/li>\n\n\n\n<li>\u201eErkundungen\u201c International Design-Congress and Exhibition, Stuttgart, Germany*.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1985: \u201eBarockoko der Hang zum Gesammtkunstgewerbe at Galerie M\u00f6bel Perdu, Hamburg, Germany. Curated by Claudia Schneider Esleben.<\/li>\n<\/ul>\n\n\n\n<p>*with catalogue<\/p>\n\n\n\n<p class=\"has-large-font-size\">Museum purchase:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The clothstand \u201eHerz\u201c, the lamp \u201eSpunk\u201c and the chair \u201eEcho\u201c purchased by the Art Museum D\u00fcsseldorf 1987.<\/li>\n\n\n\n<li>The egg cup \u201etwinset\u201c purchased by the Musee d.Arts Decoratifs Lausanne 1999, Museum f\u00fcr Gestaltung Z\u00fcrich.<\/li>\n\n\n\n<li>2005 Co-Pilot Paperchair purchased by Robert Wilsons Watermill Collection New York.<\/li>\n\n\n\n<li>2007 \u201eTristan\u201c  Chaiselongue &amp; \u201ePilot\u201c  Chair at Peter und Elisabeth Bosshard, Swiss Contemorary Art Collection, Kunstzeughaus;<\/li>\n\n\n\n<li>2022 Statliche Kunstsammlung Dresten &#8220;Pilot Chair&#8221; Museum der Avantgarden.<\/li>\n\n\n\n<li>2009 \u201eHerz\u201c and \u201eTristan\u201c Indianapolis Museum of Art, Design Collection.&nbsp; <\/li>\n\n\n\n<li>Some early works &#8220;Fl\u00fcgler&#8221; Chair and &#8220;ER&#8221; Clothstand are now in the Archiv der Avantgarden (AdA) Dredsen, Germany. Collection Egidio Marzona.<\/li>\n\n\n\n<li>2020 Archiv der Avantgarden, Dresden, Germany, Paper Chair &#8220;Pilot&#8221; Collection Egidio Marzona.<\/li>\n\n\n\n<li>2024 Purchase an early \u2018Co-Pilot\u2019 chairs by Rolf Fehlbaum, Vitra Museum Weil am Rhein, Germany.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-large-font-size\">Publications:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#8220;Gef\u00fchlscollagen, Wohnen von Sinnen&#8221;, Kunstmuseum D\u00fcsseldorf, DuMont Verlag 1986.<\/li>\n\n\n\n<li>Kunstforum Band 82, 1986;<\/li>\n\n\n\n<li>Wind (Japan);<\/li>\n\n\n\n<li>International Design Yearbook 9 \/1994 by Ron Arad;<\/li>\n\n\n\n<li>Sourcebook of modern furniture\u200e by Jerryll Habegger, Joseph H. Osman, W. W. Norton &amp; Company 2005;<\/li>\n\n\n\n<li>International Design Yearbook 11\/ 1996 by Alessandro Mendini;<\/li>\n\n\n\n<li>Kunstszene 95\/96 Z\u00fcrich. Inventar 1 &amp; 2 Kunstszene Z\u00fcrich, Markus Weiss, Textband, 1996.<\/li>\n\n\n\n<li>1000 Chairs, Peter &amp; Carlotte Fiell, Taschen 1997;<\/li>\n\n\n\n<li>Designing the 21st Century by Peter &amp; Charlotte Fiell, Taschen 2001;<\/li>\n\n\n\n<li>International Design Yearbook 17 by Ross Lovegrove 2002 ;<\/li>\n\n\n\n<li>\u201eMore Paperwork\u201c by Nancy Williams, Phaidon 2005;<\/li>\n\n\n\n<li>Mobili italiani contemporanei \/Contemporary Italian furniture, Cristina Morozzi, Silvio San Pietro, Edizioni L&#8217;archivolto Milan 1996;<\/li>\n\n\n\n<li>&#8220;kid size&#8221;, The Material World of Childhood, Vitra Museum Hatje Cantz 1997;<\/li>\n\n\n\n<li>\u201eThe eco-design handbook\u201c by Alastair Fuad-Luke, Thames &amp; Hudson 2002;<\/li>\n\n\n\n<li>ecoDesign: The Sourcebook, Alastair Fuad-Luke&nbsp; Chronicle Books 2006;<\/li>\n\n\n\n<li>Designmai 03 Berlin;<\/li>\n\n\n\n<li>&#8220;Design Encyclopedia&#8221; The Museum of Modern Art by Mel Byars 2004;<\/li>\n\n\n\n<li>European Design Since 1985: Shaping the New Century by Craig Miller, Merrell 2009;<\/li>\n\n\n\n<li>Eco &amp; co, Editrice Compositori 2010.<\/li>\n\n\n\n<li>Blackbox Publikation Z\u00fcrich: &#8220;WIE MACHE MALE BAUE SCHREIBE GESTALTE ICH ?&#8221; 2013.<\/li>\n\n\n\n<li>2016 Time Space Existence. European Cultural Center. &#8220;Venice Design 2016&#8221; Editor Global Art Affairs Foundation.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Anthologie Quartett<\/h2>\n\n\n\n<p>Robert Wettstein owes a large part of his success to Rainer Krause and the company Anthologie Quartett. Rainer Krause was a design scout even before the Internet. He had a large network in Italy, Austria, Switzerland and Germany.<\/p>\n\n\n\n<p>Rainer Krause (born 04.Sept.1952) is the founder of Anthologie Quartett, a renowned design brand in Germany. He founded the company in Hanover in 1983 with three friends. They were Gy\u00f6rgy Meszaros and Mrs and Mr Bernd Berger. Hence the name Anthologie Quartett.<br>Rainer Krause was a passionate collector and patron of avant-garde designers. He was known for his love of modern design and his endeavours to present exclusive and innovative design objects. He was the curator and advisor of numerous exhibitions of contemporary design. He wrote about German avant-garde design for the Italian home magazine Casa Vogue. After his death in 2013, Anthologie Quartett will be continued by Michael von Jakubowski and Michael G\u00e4rtner. <\/p>\n\n\n\n<p>Parts of the AQ archive are acquired by Egidio Marzona. Marzona is an art collector and patron. He later donated part of his archive to the &#8220;Archiv der Avantgarden&#8221; (AdA), Dresden State Art Collections. The archive contains more than 1.5 million objects, including documents, letters, photos, sketches and works of art from the avant-garde movements of the 20th century. The Dresden Archiv der Avantgarden therefore also hold works by Robert Wettstein.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-large-font-size\">Links:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.instagram.com\/Robert_Wettstein\/\" target=\"_blank\" rel=\"noreferrer noopener\">Robert Instagram<\/a><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.linkedin.com\/in\/robert-adrian-wettstein-060a78291\/\">LinkedIn<\/a><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/de.pinterest.com\/robertwettstein\/robert-wetsteins-work\/\" target=\"_blank\" rel=\"noreferrer noopener\">Robert on Pinterest<\/a><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"http:\/\/www.saatchiart.com\/RobertWettstein\" target=\"_blank\" rel=\"noreferrer noopener\">Saatchiart<\/a><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"http:\/\/www.architonic.com\/pmpro\/structuredesign\/3103466\/2\/2\/1\" target=\"_blank\" rel=\"noreferrer noopener\">Robert Wettstein&#8217;s Structure Design @ Architonic<\/a><\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Atelier&#8217;s Robert WettsteinJosefstrasse 188, 8005 Z\u00fcrich, SwitzerlandE-mail: robert(at)wettstein.ws Biography Robert Wettstein Sometimes I also call myself Robert A. Wettstein or Robert Adrian Wettstein to avoid confusion with other Wettstein&#8217;s. I live and work in Zurich, Switzerland. My studio is in the centre of the city, near a green park. I work in the fields of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3382,"parent":0,"menu_order":40,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-117","page","type-page","status-publish","has-post-thumbnail","czr-hentry"],"_links":{"self":[{"href":"https:\/\/wettstein.ws\/de\/wp-json\/wp\/v2\/pages\/117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wettstein.ws\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wettstein.ws\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wettstein.ws\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/wettstein.ws\/de\/wp-json\/wp\/v2\/comments?post=117"}],"version-history":[{"count":120,"href":"https:\/\/wettstein.ws\/de\/wp-json\/wp\/v2\/pages\/117\/revisions"}],"predecessor-version":[{"id":4308,"href":"https:\/\/wettstein.ws\/de\/wp-json\/wp\/v2\/pages\/117\/revisions\/4308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wettstein.ws\/de\/wp-json\/wp\/v2\/media\/3382"}],"wp:attachment":[{"href":"https:\/\/wettstein.ws\/de\/wp-json\/wp\/v2\/media?parent=117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}